Announcing “War Is a Kigo” column

In War is a Kigo column, we shall feature haiku that paint a picture of war – be it the scorched earth patch in a garden, the bloodied swing in the park, the wails of children, the agony of the parents, the untended houseplants, the dog searching for its human, and what not. The horrors of war are many. Our intention behind running this column is to remind ourselves of the horrors that are happening elsewhere that we are often unaware of or ignore because we will surely become sad thinking about all the suffering, to provide an outlet to our angst and helplessness sitting a world away from the conflict being able to do nothing, to record the bravery and tragedy on behalf of the victims in the only way we could. Through art. Through haiku.

I say, War is a Kigo. I wrote the following haiku with a little illustration a couple of years ago, I don’t know during which conflict. But the history of human race makes it quite evident that in terms of our experience of time, war is indeed a season. A season that spans year-long over some regions on Earth where all other seasons are pushed aside to accommodate this one.

At the time of this writing in March 2022, everyone is talking about the Russia-Ukraine war. But wars, war-like conflicts that kill thousands of people, are happening in places like Yemen, Afghanistan. Indeed they have been happening in many places around the world all round the year, every year but they don’t get much attention. Why, is a whole another can of worms.

There is also this ironic relationship between war and haiku. At least in my mind that is and I won’t mince words when I touch that relationship because it is the truth every which way you look at it. Japan’s poetry form haiku has become so popular all over the world, written in many countries in their native language even. I’m will not go and find out if haiku made in-roads into English literature before World War II, I think it did, but the fact is:

atomic bombs
for them, for us
their poetic forms

The bombing by Japan on Pearl Harbor in USA killed 2,390 people, most of them US service members.

The nuclear bombing by USA (and UK, apparently they had to approve the attack) on Nagasaki and Hiroshima in Japan killed between 129,000 and 226,000 people, mostly civilians.

… and we write haiku.

— Sankara Jayanth Sudanagunta
Founding Editor
@coffeeandhaiku

🍃

Submitting Haiku For War Is a Kigo Column

It is true that you might not be able to work-in all the traditional haiku writing conventions into your haiku about war and there will be exceptions in our selections for this reason. But nevertheless we are still looking for haiku that have a natural element in them, haiku that describe a brief moment in time or thought, a juxtaposition of two images that evoke a response in the reader.

We will announce calls for submission on our Twitter account @HaikuSeed_, there is no fixed schedule as of now for this column. You are requested to submit your haiku through the Google Form we will make available during the submission period.


Copyrights Disclaimer:
  • All featured works are copyrighted to the respective writers. We would love it if you cite being our journal if your work is going to be published elsewhere, no obligations though.
  • Photos used in our journal are taken by and copyrighted to Sankara Jayanth Sudanagunta unless stated otherwise.

Haiku Horticulture – Animated Illustration of the Idea

This short animated illustration video shows the idea of our upcoming column Haiku Horticulture – what it is about, how to write and submit the haiku you’ve written for this column.

Read all the details about this column in here: Haiku Horticulture. We hope this little video gets haiku writers excited. What do you think about it? Please share your thoughts and feedback in the comments section below or on Twitter at @HaikuSeed_.

Last Week’s #HaikuSeed Blossoms – Feature With Commentary / 14 – 20 March, 2022

Featuring haiku brought to blossom by terrific writers from #HaikuSeed prompts:
door frame, mango, wintry, evening walk, bloom, pattern, tranquil

I seldom dive into language-specific commentary or poetry form-specific commentary. Basically my commentary is not technical. I’m also not good at writing appreciation. I hope the amazing writers being featured do not take offense if my commentary lacks literal words of praise. When a haiku sets off a chain of imagination inside me, there is an ecstasy I experience that I’ve often been aware of when I read haiku by Basho, Issa and the like. So my commentary is usually about all these images in my head spawned by the featured haiku and this is how I show my appreciation for the writers and their amazing haiku.

hiding
in the door frame a March moon
cut in half

– Hege A. J. Lepri
@hegelincanada

Apart from the beautiful image, I feel this haiku lends to several interpretations of human scenes. A lover halfway through the door, leaving angry. Or a lover halfway through the door, taunting and playful. Of course, the cut in half is too sharp of an expression for both these interpretations, unless you subscribe to the absurd.

Why does the writer say the half moon is hiding in the door frame? Did she first search for the moon through a couple of windows in her room, couldn’t find it and she comes out of her room and there! the half moon is hiding in the front door frame.

Continue reading “Last Week’s #HaikuSeed Blossoms – Feature With Commentary / 14 – 20 March, 2022”

Last Week’s #HaikuSeed Blossoms – Feature With Commentary / 06 – 10 March, 2022

Featuring few brilliant haiku brought to blossom by terrific writers, seeded by #HaikuSeed prompts.
#HaikuSeed: weeding, roadside, crane, moss, jolly, scarf

early spring
the crane and the heron
playing statues

– @LazyBookworm

The image of a crane and heron standing still is quite trivial and the haiku wouldn’t be doing much if it was just describing it without doing something more with the juxtaposing image. I felt that early spring doesn’t give any life to the triviality of this moment even though spring itself and the birds are full of it. Instead, the writer’s creative use of playing statues brought all the life into the haiku. Not only is it an entertaining way of saying that the birds are standing still like statues, it could also mean that the crane and the heron are actively playing a game of statue. This interpretation brings back memories from childhood where we as kids shout “statue!” pointing at a person and the person has to literally freeze in place and stay still like a statue. The idea of a crane and heron playing this game is quite amusing.

Continue reading “Last Week’s #HaikuSeed Blossoms – Feature With Commentary / 06 – 10 March, 2022”